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Charles Percier
(22nd Aug, 1764 - 5th Sep, 1838)
,
Pierre-François-Léonard Fontaine
(20th Sep, 1762 - 10th Oct, 1853)
Le Banquet impérial à l'occasion du mariage de l'Empereur avec l'impératrice Marie-Louise d'Autriche
Credit:
Photo (C) RMN-Grand Palais / Michèle Bellot
musée du Louvre
http://www.louvre.fr
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Keywords:
Napoleon I (1769-1821)
mariage de Napoléon Ier et de Marie-Louise (1810)
fête de mariage
repas de noce
banquet
Marie-Louise (1791-1847)
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Color #7a6a4f
Color #beae8a
Color #341c02
Color #86775f
Color #d8dcd6
Color #b9a281
Color #60460f
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About the artwork
Title:
Le Banquet impérial à l'occasion du mariage de l'Empereur avec l'impératrice Marie-Louise d'Autriche
Periods:
contemporary period from 1789 until 1914
19th century
XIXth century
Techniques:
watercolour
Inventory number:
RF41490
Detail:
Dans la grande salle du palais des Tuileries
Location:
musée du Louvre
About the author(s)
Author:
Charles Percier
Also known as:
Charles Percier- Bassant
Charles Percier-Bassant
Born:
22nd Aug, 1764
Dead:
5th Sep, 1838
Country:
France
See more about this author on Wikipedia:
Charles Percier
(
[ʃaʁl pɛʁsje]
; 22 August 1764 – 5 September 1838) was a neoclassical French architect, interior decorator and designer, who worked in a close partnership with Pierre François Léonard Fontaine, originally his friend from student days. For work undertaken from 1794 onward, trying to ascribe conceptions or details to one or other of them is fruitless; it is impossible to disentangle their cooperative efforts in this fashion. Together, Percier and Fontaine were inventors and major…
Read more...
Author:
Pierre-François-Léonard Fontaine
Born:
20th Sep, 1762
Dead:
10th Oct, 1853
Country:
France
See more about this author on Wikipedia:
Pierre-François-Léonard Fontaine
(pronounced:
[pjɛʁ frɑ̃swa leɔnaːʁ fɔ̃tɛn]
; September 20, 1762 – October 10, 1853) was a neoclassical French architect, interior decorator and designer. Starting in 1794 Fontaine worked in such close partnership with Charles Percier, originally his friend from student days, that it is difficult to distinguish their work. Together they were inventors and major proponents of the rich and grand, consciously archaeological versions of neoclassicism we recognize as…
Read more...