Skip to main content
Images d’Art
Open menu
Close menu
Home
Languages
En
glish
Fr
ançais
User menu
Sign in
Sign up
Nav social
Facebook
Twitter
Keywords
Museum
Periods
Authors
Technics
Keywords
Advanced search
Quentin Metsys
(1466 - 1530)
Darmstadt Madonna
1526
Credit:
Photo (C) RMN-Grand Palais (musée du Louvre) / Tony Querrec
musée du Louvre
http://www.louvre.fr
Share:
Facebook
Twitter
Share by mail
Embed on your site
Download
Add to a selection
Add to favorites
Detail image(s)
Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
Download
Add to a selection
Add to favorites
Credit:
Photo (C) RMN-Grand Palais / Daniel Arnaudet
Download
Add to a selection
Add to favorites
Credit:
Photo (C) RMN-Grand Palais (musée du Louvre) / Tony Querrec
Download
Add to a selection
Add to favorites
Credit:
Photo (C) RMN-Grand Palais (musée du Louvre) / Tony Querrec
Download
Add to a selection
Add to favorites
Credit:
Photo (C) RMN-Grand Palais (musée du Louvre) / Tony Querrec
Download
Add to a selection
Add to favorites
Horizontal tabs
Explore
Keywords:
landscape background
Christ as a child
child
kiss
Madonna and Child
Renaissance (European)
Pré-renaissance (art)
grapes
peach
knife
bed (furniture)
Search by color
Color #363737
Color #c5c9c7
Color #86775f
Color #29465b
Color #6b4247
Color #b9a281
Color #7a6a4f
Color #beae8a
More info
About the artwork
Title:
Darmstadt Madonna
Periods:
période médiévale - Bas Moyen Âge
15th century
16th century
Dimensions:
680 x 510
Inventory number:
RF1475
Detail:
painting by Hans Holbein the Younger
Location:
musée du Louvre
See more about this artwork on Wikipedia:
The
Darmstadt Madonna
(also known as the
Madonna of Jakob Meyer zum Hasen
) is an oil painting by Hans Holbein the Younger. Completed in 1526 in Basel, the work shows the Bürgermeister of Basel Jakob Meyer zum Hasen, his first wife (who had died earlier), his current wife, and his daughter grouped around the Madonna and infant Jesus. The meaning of the two other male figures on the left side is, like the overall iconography of the image, not entirely clear. The image testified to the resolutely…
Read more...
About the author(s)
Author:
Quentin Metsys
Also known as:
Quinten (I) Massijs
Quinten Massijs (I)
Quentin Massys
Quintinus Mesius
Quinten Matsijs
Quinten Metsys
Quinten Matsys
Quintino Messi
Quinten I Massijs
the Elder Quentin Massys
Quentin Matzys
Quinten Massys
Quinten, I Metsys
Quinto Massei
Quintis Matsis
Quentin Massys I
Quinten I Metsys
Quintin Matsys
Quinte Metsys
Quinten I Messys
Quentin Messys
Quinten I Matsys
Quintin Matsey
Quintin Matssis
Quentin Metsijs
Quentin, the Elder Massys
Quinton Matzius
Quintin Matsis
Quentin Masiis
Quentin Matzis
Quintus Matsus
Quintus Matzis
Quintin Matzys
Quentin Metzis
Quentin Matsis
Quentin Messis
Quinten I Massys
Quinten Massijs
Quinten Massys (I)
Quinten Matsijs (I)
Quinten Matsys (I)
Quinten Messijs
Quinten Messijs (I)
Quinten Messys
Quinten Messys (I)
Quinten Metsijs
Quinten Metsijs (I)
Quinten Metsys (I)
Born:
1466
Dead:
1530
Country:
Comté de Flandre
See more about this author on Wikipedia:
Quentin Matsys
(Dutch:
Quinten Matsijs
) (1466–1530) was a painter in the Flemish tradition and a founder of the Antwerp school. He was born at Leuven, where legend states he was trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots and satirical tendencies.
Read more...