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Noël Coypel
(1628 - 1707)
Sacrifice à Jupiter
Credit:
Nous contacter au préalable pour la publicité. Photo (C) Château de Versailles, Dist. RMN-Grand Palais / Christophe Fouin
Versailles, châteaux de Versailles et de Trianon
http://collections.chateauversailles.fr/
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Detail image(s)
Credit:
Nous contacter au préalable pour la publicité. Photo (C) Château de Versailles, Dist. RMN-Grand Palais / Christophe Fouin
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Credit:
Nous contacter au préalable pour la publicité. Photo (C) Château de Versailles, Dist. RMN-Grand Palais / Christophe Fouin
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Add to a selection
Add to favorites
Credit:
Nous contacter au préalable pour la publicité. Photo (C) Château de Versailles, Dist. RMN-Grand Palais / Christophe Fouin
Download
Add to a selection
Add to favorites
Credit:
Nous contacter au préalable pour la publicité. Photo (C) Château de Versailles, Dist. RMN-Grand Palais / Christophe Fouin
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Add to a selection
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Keywords:
fire
smoke
mythological scene
sacrifice
statue
altar
Jupiter (dieu)
Search by color
Color #341c02
Color #86775f
Color #673a3f
Color #836539
Color #536267
Color #d8dcd6
Color #b1916e
Color #29465b
More info
About the artwork
Title:
Sacrifice à Jupiter
Periods:
modern age
17th century
Techniques:
oil on canvas
Dimensions:
2230 x 2020
Inventory number:
MV5910
Detail:
Un sacrificateur debout, vêtu d'une longue tunique blanche et d'une grande draperie bleue qui pend de dessus sa tête, verse du sel avec une patère ou petite assiette, sur le feu. Dessus de cheminée de la Salle des Gardes de la Reine à Versailles 1679-1680, collection Louis XIV
Location:
Versailles, châteaux de Versailles et de Trianon
About the author(s)
Author:
Noël Coypel
Also known as:
Noel Coypel
Born:
1628
Dead:
1707
Country:
France
See more about this author on Wikipedia:
Noël Coypel
(
[kwapɛl]
; 25 December 1628 – 24 December 1707) was a French painter, and was also called
Coypel le Poussin
, because he was heavily influenced by Poussin. Coypel was born in Paris, the son of an unsuccessful artist. Having been employed by Charles Errard to paint some of the pictures required for the Louvre, and having afterwards gained considerable fame by other pictures produced at the command of the king, in 1672 he was appointed director of the French Academy at Rome. After four…
Read more...