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Eugène Emmnanuel Viollet-Le-Duc
(27th Jan, 1814 - 17th Sep, 1879)
,
Jean-Baptiste Lassus
(19th Mar, 1807 - 15th Jul, 1857)
Projet de restauration de la façade occidentale de Notre-Dame de Paris
28th Jan, 1843
Credit:
Photo (C) Ministère de la Culture - Médiathèque du Patrimoine, Dist. RMN-Grand Palais / image RMN-GP
Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine
http://www.mediatheque-patrimoine.culture.gouv.fr/
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Keywords:
Gothic art
elevation (architecture)
facade
Search by color
Color #d3b683
Color #070d0d
Color #e6daa6
Color #beae8a
Color #8d8468
More info
About the artwork
Title:
Projet de restauration de la façade occidentale de Notre-Dame de Paris
Periods:
19th century
contemporary period from 1789 until 1914
XIXth century
Techniques:
pen (drawing)
watercolour
Dimensions:
910 x 630
Inventory number:
08R00372
Detail:
Dessin joint au projet du 28 janvier 1843.
Location:
Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine
About the author(s)
Author:
Eugène Emmnanuel Viollet-Le-Duc
Also known as:
Viollet-le-Duc
Born:
27th Jan, 1814
Dead:
17th Sep, 1879
Country:
France
See more about this author on Wikipedia:
Eugène Emmanuel Viollet-le-Duc
(27 January 1814 – 17 September 1879) was a French architect and theorist, famous for his interpretive "restorations" of medieval buildings. Born in Paris, he was a major Gothic Revival architect. His works were largely restorative and few of his independent building designs were ever realised. Strongly contrary to the prevailing Beaux-Arts architectural trend of his time, much of his design work was largely derided by his contemporaries. He was the architect hired…
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Author:
Jean-Baptiste Lassus
Also known as:
Jean Lassus
Jean-Baptiste Antoine Lassus
Jean Baptiste Antoine Lassus
J.-B.-A. Lassus
Born:
19th Mar, 1807
Dead:
15th Jul, 1857
Country:
France
See more about this author on Wikipedia:
Jean-Baptiste-Antoine Lassus
(19 March 1807 – 15 July 1857) was a French architect who became an expert in restoration or recreation of medieval architecture. He was a strong believer in the early Gothic architecture style, which he thought as a true French and Christian tradition, and was opposed to the classical Graeco-Roman styles promoted by the academic establishment.
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