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Jean-Auguste-Dominique Ingres
(29th Aug, 1780 - 14th Jan, 1867)
The Turkish Bath
1862
Credit:
Photo (C) Musée du Louvre, Dist. RMN-Grand Palais / Angèle Dequier
musée du Louvre
http://www.louvre.fr
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Keywords:
naked group of people
bathing (cleansing)
harem
dance
Orientalism
nude (female)
musical instrument
Search by color
Color #836539
Color #363737
Color #d3b683
Color #60460f
Color #a6814c
Color #c4a661
Color #fff9d0
More info
About the artwork
Title:
The Turkish Bath
Periods:
contemporary period from 1789 until 1914
19th century BC
19th century BC
Techniques:
oil painting
oil on wood
wood (painting)
canvas (painting)
Dimensions:
1100 x 1100
Inventory number:
RF1934
Detail:
painting by Ingres
Location:
musée du Louvre
See more about this artwork on Wikipedia:
The Turkish Bath
(
Le Bain Turc
) is an 1862 painting by the 82-year-old Jean-Auguste-Dominique Ingres, showing nude women in a harem. Originally rectangular, it was altered to its present tondo form by the artist in 1863. Its erotic content did not provoke a scandal (as compared, say, with Manet's publicly exhibited 1863
Déjeuner sur l'herbe
) since for much its life it has remained in private collections. It is now in the Louvre.
Read more...
About the author(s)
Author:
Jean-Auguste-Dominique Ingres
Also known as:
J.A.D. Ingres
Jean-Dominique Ingres
JAD Ingres
Jean Auguste Ingres
Jean Dominique Auguste Ingres
Jean Ingres
Jean August Dominique Ingres
Jean-Auguste Dominique Ingres
J.-A.-D. Ingres
ז׳ן־אוגוסט־דומיניק אנגר
Zhan Ogi︠u︡st Dominik Ėngr
Z'an-Ogusṭ-Dominiḳ Engr
ז׳ן־אוגוסט־דומימניק אנגר
Zhan Ogiust Dominik Engr
Born:
29th Aug, 1780
Dead:
14th Jan, 1867
Country:
France
See more about this author on Wikipedia:
Jean-Auguste-Dominique Ingres
(French:
[ʒɑnoɡyst dominik ɛ̃ɡʁ]
; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy. Ingres was profoundly informed by past artistic traditions, and in his career assumed the role of a guardian of academic…
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