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Ernest Rouart
(24th Aug, 1874 - 2nd Jan, 1942)
,
after Andrea Mantegna
(1431 - 13th Sep, 1506)
Triumph of the Virtues
1499
Credit:
Photo (C) RMN-Grand Palais (musée d'Orsay) / Gérard Blot
musée d'Orsay
http://www.musee-orsay.fr/
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Keywords:
mythological scene
copy (reproduction)
Search by color
Color #836539
Color #beae8a
Color #a6814c
Color #341c02
Color #653700
Color #cfaf7b
Color #ffffe4
More info
About the artwork
Title:
Triumph of the Virtues
Periods:
19th century
contemporary period from 1789 until 1914
XIXth century
Techniques:
oil on canvas
Dimensions:
1500 x 1920
Inventory number:
RF1975-8
Detail:
tableau d'Andrea Mantegna
Location:
musée d'Orsay
See more about this artwork on Wikipedia:
The
Triumph of the Virtues
(also known as
Minerva Expelling the Vices from the Garden of Virtue
) is a painting by the Italian Renaissance painter Andrea Mantegna, executed in 1502. It is housed in the Musée du Louvre of Paris. The
triumph
was the second picture painted by Mantegna for Isabella d'Este's
studiolo
(cabinet), after the
Parnassus
of 1497. It portrays a marsh enclosed by a tall fence, ruled over by the Vices, portrayed as hideous figures and identified by scrolls in a typically…
Read more...
About the author(s)
Author:
Ernest Rouart
Born:
24th Aug, 1874
Dead:
2nd Jan, 1942
Country:
France
See more about this author on Wikipedia:
Ernest Rouart
(Paris 1874 -
id.
1942) est un artiste-peintre, aquarelliste, pastelliste, graveur, et collectionneur français. Il est l'un des quatre fils de Henri Rouart, frère d'Eugène Rouart dont il fait le portrait vers 1900. Il a épousé Julie Manet, la fille de Berthe Morisot et de Eugène Manet. Peintre impressionniste, il a beaucoup aidé à la promotion de ce courant et beaucoup travaillé à mettre en valeur Édouard Manet, Edgar Degas, et Berthe Morisot, par des expositions importantes. Avec…
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Author:
after
Andrea Mantegna
Born:
1431
Dead:
13th Sep, 1506
Country:
Italie
See more about this author on Wikipedia:
Andrea Mantegna
(Italian:
[anˈdrɛa manˈteɲɲa]
; c. 1431 – September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer…
Read more...