Skip to main content
Images d’Art
Open menu
Close menu
Home
Languages
En
glish
Fr
ançais
User menu
Sign in
Sign up
Nav social
Facebook
Twitter
Keywords
Museum
Periods
Authors
Technics
Keywords
Advanced search
Barnuevo Sebastiano de Herrera
(1619 - 1671)
Le Prophète Elie et la veuve de Sarepta
Credit:
Photo (C) RMN-Grand Palais / Thierry Le Mage
musée du Louvre
http://www.louvre.fr
Share:
Facebook
Twitter
Share by mail
Embed on your site
Download
Add to a selection
Add to favorites
Detail image(s)
Horizontal tabs
Explore
Keywords:
on one's knees
pencil sketch
Widow of Sarepta
Elijah (prophet)
drapery
projet de décoration
bowl (large)
Old Testament
beard
Search by color
Color #fff4f2
Color #341c02
Color #ba9e88
Color #978a84
Color #ffd8b1
Color #7f684e
More info
About the artwork
Title:
Le Prophète Elie et la veuve de Sarepta
Periods:
17th century
modern age
Techniques:
pen (drawing)
wash with brown ink
black chalk
brown ink
beige paper
wash with brown
Dimensions:
212 x 271
Inventory number:
RF42639-recto
Detail:
Etude préparatoire pour l'un des soixante-huit panneaux peints à l'huile sur miroir, enchâssés dans des moulures dorées et rehaussés de sculpture, du maître-autel de la chapelle de Nuestra Senora de Guadalupe, dans le cloître du monastère des Descalzas Reales de Madrid, qui fut dédiée en 1653 par l'Infante Ana Dorotea, marquise d'Autriche et fille illégitime de l'empereur Rodolphe II
Location:
musée du Louvre
About the author(s)
Author:
Barnuevo Sebastiano de Herrera
Also known as:
Sebastiáno de Herrera Barnuevo
Born:
1619
Dead:
1671
See more about this author on Wikipedia:
Sebastián Herrera Barnuevo
(1611 or 1619–1671) was a painter, architect, sculptor and etcher, who was born and died in Madrid, Spain. His father, Antonio Herrera, was a sculptor; after teaching his son, Sebastiano was taught by Alonzo Cano. Like Cano, Herrera worked for Philip IV of Spain, among others in the nobility. His was held to be modest and deeply religious. His painting colors were brilliant and harmonized in the manner of Titian, however his style was so close Guido as to be sometimes…
Read more...