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Antoine Masson
(1636 - 30th May, 1700)
,
after Carlo Maratta
(18th May, 1625 - 15th Dec, 1713)
André Le Nôtre, contrôleur Général des Bâtiments du Roi, Arts et Manufactures (1613-1700)
Credit:
Nous contacter au préalable pour la publicité. Photo (C) Château de Versailles, Dist. RMN-Grand Palais / image château de Versailles
Versailles, châteaux de Versailles et de Trianon
http://collections.chateauversailles.fr/
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Keywords:
André Le Nôtre
gardener
portrait of a man
personnalité (époque de Louis XIV)
Search by color
Color #b9a281
Color #070d0d
Color #86775f
Color #363737
Color #3c4142
Color #beae8a
Color #000000
More info
About the artwork
Title:
André Le Nôtre, contrôleur Général des Bâtiments du Roi, Arts et Manufactures (1613-1700)
Techniques:
etching
engraving (print)
Dimensions:
447 x 353
Inventory number:
LP30.116.1
Detail:
Album Louis-Philippe
Location:
Versailles, châteaux de Versailles et de Trianon
About the author(s)
Author:
Antoine Masson
Born:
1636
Dead:
30th May, 1700
Country:
France
See more about this author on Wikipedia:
Antoine Masson
(1636 – 30 May 1700) was a French painter, but above all a line engraver, born at Loury, near Orléans. He learned engraving as an armorer's apprentice and had no other teaching. He was received (
reçu
) by the Académie Royale de Peinture et de Sculpture in 1679 and exhibited at the Paris Salon of 1699. He engraved 68 plates, mostly portraits, of which the most celebrated are those of Henri de Lorraine, count of Harcourt, known as the "Cadet à la Perle," Gaspard Charrier, and Olivier…
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Author:
after
Carlo Maratta
Also known as:
Carlo Maratti
Il Cavaliere Carlo Maratti
Born:
18th May, 1625
Dead:
15th Dec, 1713
Country:
Italie
See more about this author on Wikipedia:
Carlo Maratta
or
Maratti
(13 May 1625 – 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
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