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Andrea Mantegna
(1431 - 13th Sep, 1506)
Triumph of the Virtues
1499
Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
musée du Louvre
http://www.louvre.fr
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Detail image(s)
Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Daniel Arnaudet
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Daniel Arnaudet
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Credit:
Photo (C) RMN-Grand Palais / Gérard Blot
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Keywords:
Diana (goddess)
water (stretch of)
putto
Italian Renaissance
Minerva (goddess)
satyr
centaur (mythology)
arcade (architecture)
mythological scene
Allegory of Virtue
Allegory of Vice
Search by color
Color #60460f
Color #735c12
Color #8d8468
Color #e6daa6
Color #aaa662
Color #c87606
Color #341c02
More info
About the artwork
Title:
Triumph of the Virtues
Periods:
15th century
renaissance
XVth century
Techniques:
oil on canvas
Dimensions:
1610 x 1920
Inventory number:
INV371
Detail:
tableau d'Andrea Mantegna
Location:
musée du Louvre
See more about this artwork on Wikipedia:
The
Triumph of the Virtues
(also known as
Minerva Expelling the Vices from the Garden of Virtue
) is a painting by the Italian Renaissance painter Andrea Mantegna, executed in 1502. It is housed in the Musée du Louvre of Paris. The
triumph
was the second picture painted by Mantegna for Isabella d'Este's
studiolo
(cabinet), after the
Parnassus
of 1497. It portrays a marsh enclosed by a tall fence, ruled over by the Vices, portrayed as hideous figures and identified by scrolls in a typically…
Read more...
About the author(s)
Author:
Andrea Mantegna
Born:
1431
Dead:
13th Sep, 1506
Country:
Italie
See more about this author on Wikipedia:
Andrea Mantegna
(Italian:
[anˈdrɛa manˈteɲɲa]
; c. 1431 – September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer…
Read more...